Bruce Davidson • Magnum

Tuesday, 5 September 2017

“The MoMA curator John Szarkowski—whose writing [Teju] Cole cites as an influence on Blind Spot—once observed that many of the best photographers ‘served the art in secret, while pretending to be gatherers of merely forensic evidence.’ Those two ambitions are no longer mutually exclusive, but Cole’s book seems pendent between them, its aims as veiled as the many shrouded subjects in his pictures.” Claire Lehmann • Bomb

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