Martine Franck • Magnum

Thursday, 18 May 2017

“There’s one with fake blood, which is probably one of the most graphic of the images, but the whole apparatus of creating that scene—the dark slide, the remote release, the food coloring and mixing bowls—is shown. For me, this touches on a very important question when doing work around trauma: How do you represent violence without perpetuating it?” Rowan Renee as interviewed by Chris Boot • Aperture

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