Lisette Model • ICP

Saturday, 12 November 2016

“I actually find this process of having to repeat the gesture, whether it’s a jump through the air, or hair blowing in the wind, or someone laying on a bed—doing it twice, for me, helps de-emotionalize the image, which is important, because part of what I’m aiming for is a sort of breaking down of the typical Cartier-Bresson ‘decisive moment.'” Miles Aldridge, qtd. by Max Lakin • W