Hal Fischer • Slate

Friday, 11 November 2016

“With dry, structuralist wit, Thomas and Phillips, as well as Peter D’Agostino, Hal Fischer, and their peers, probed the confusion between ‘conceptual art’ and the sometimes-maligned genre ‘conceptual photography.’ This often meant both mocking and reaffirming the abilities of the medium.” Travis Deihl • Aperture

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