Franck Pourcel • Street Level Photoworks

Monday, 29 August 2016

“A photographer can become fixed on particular pictures. I usually want to see a wider edit than the photographer initially has in mind, and quite often between ten and twenty percent of the final picture selection will come in from this broader selection. This doesn’t seem like much, but it can make the difference between the mediocre and the sublime.” Stuart Smith in conversation with Chris Boot • Aperture