Richard Kearton

Saturday, 16 July 2016

“[Lewis] Carroll excelled at a developing method called the wet collodion process, which replaced the daguerreotype as the primary means of photographic image-making. This process seems to have been something like painting in oils, requiring a great deal of dexterity and chemical know-how, and similarly subject to decay when done improperly. Carroll particularly valued this method for its difficulty (he described it in detail in some lines added to a poem called “Hiawatha’s Photographing”)—so much so that once a dry developing process came into being, he abandoned the medium altogether, complaining that it became so easy anyone could do it.” Josh Jones • Open Culture

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