Francesco Merlini • Life Framer

Tuesday, 26 April 2016

“[Sarah] Dobai explores the shop display as a seductive façade, where the real subject (of image and scene) is both literally and metaphorically, displaced.  In different ways, each work references the processes of photography itself—the frame within a frame, flattened perspective, reflections of things, refractions of light and differentiated focus all hovering somewhere between the invisible flatness of the plane of the image and the restricted depth of the glass vitrine.” Sophy Rickett • Photomonitor

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