Robert Denyer

Monday, 11 January 2016

“In it we see an exploration of time, an embrace of chance, spatial uncertainty, ambiguities of origin and authorship, institutional instability, a blurring of photography, sculpture and performance, a meditation on process, a stand-off between image and text, and a scrambling of distinctions between document and artwork, the formal and the formless, the cosmic and the domestic.” David Campany in conversation with Brendan Wattenberg • Aperture