ORLAN • Guardian

Sunday, 10 January 2016

“We meant ‘experimental’ to mean a wide range of experiments, both personal and collective, including emerging conceptual and post-minimal practices. This was a decade when Japanese society had undergone radical transformations in politics, economy, and cultural production. We were primarily interested in how artists and photographers, freed in the late 1960s from the rigorous orthodoxy imposed by the academy, responded artistically to this cultural shift.” Yasufumi Nakamori • Aperture

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