Josef Koudelka

Friday, 9 October 2015

“Poe’s prototypical sleuth springs easily to mind when considering the role of curiosity in photography, past and present. And once we have thought of Poe it’s a safe bet that somebody will invoke Walter Benjamin’s comment about the photograph looking increasingly, in the twentieth century, like the scene of a crime. This last is a conceit that does not apply only to photography’s evidentiary potential: it’s of a piece with the idea that the photographer sees more intensely into the heart of things, but also reminds us of all the lures and feints that he or she might employ to frustrate that assumption.” Brian Dillon • Aperture

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