Marlon Hacla

Monday, 28 September 2015

“The Dutch curator Eric Kessels recycles old, often anonymous pictures from flea-markets into something that matters much more than it ever did when the pictures were still part of the life-baggage of the original owners. Who then is the real source of the meaning and mattering in the pictures—anonymous and unconscious photographer, or active and deliberate curator-creator?” Francis Hodgson

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