Takuma Nakahira • Yossi Milo Gallery

Sunday, 6 September 2015

“[Francesca Woodman] used her photographs as a kind of writing, aware of photography’s indexical properties, its persistent and tangible reminder of the precise instant in the past when the shutter was depressed, as well as its elegiac quality and capacity to communicate ghostliness—of the possible psychic coincidence of past and future in an intensified present moment.” Katherine Conley • Journal of Surrealism and the Americas

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