Wawi Navarroza

Tuesday, 21 July 2015

“For [Masahisa] Fukase, the camera may have been a way of attempting to keep control of Yoko, as well as the world around him. ‘I work and photograph while hoping to stop everything,’ he once said. ‘In that sense, my work may be some kind of revenge drama about living now.'” Sean O’Hagan • Guardian

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