Daisuke Yokota • Phaidon

Wednesday, 3 June 2015

“Photographs have always been Stezaker’s main source—used in the marrying of odd faces, the creation of bizarre androgynies, new landscapes, new cities, even whole new eras (he likes to put the times out of joint)—but here he puts these images to an extraordinary new use. Instead of working with two or three pictures, here the number proliferates in an apparently never-ending loop that rushes through time. These ‘still’ films are anything but motionless.” Brian Dillon • Guardian