Graeme Mitchell • New Yorker

Friday, 27 February 2015

“[F]or now, consider Songbook as songbook, photobook as songbook: [Alex] Soth placing himself in the role of yesteryear composer. […] There’s a musicality not just in the subject matter but in the visible yearning for connection and communion that is palpable in the most solitary of these photographs, even if it’s simply a hand tossing an object to another hand or that kudzu, creeping ever closer to the front porch.” Rebecca Bengal • Guernica

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