Laurent Millet

Thursday, 18 December 2014

“Nor did [Walker] Evans meekly fall into line with the conventions of magazine journalism. [David] Campany shows that he actively worked against them: ‘His pieces for Fortune had no beginnings, middles or conclusions. Each contemplates a small cluster of related themes, refusing speed at every turn, to remain open-ended.’ He argues that most of Evans’ photo-stories were ‘quiet ripostes’ to what was going on elsewhere in this lavish publication intended for economists and business leaders. Specialists in photography who sideline Evans’ magazine work have failed to notice that his critical perspective and reflexivity was ahead of its time. His concerns anticipated Conceptual Art, though its proponents would largely ignore his work.” Rick Poynor • Eye

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