Sacha Goldberger

Wednesday, 3 December 2014

“While the Provoke Group’s grasp of reality extremely radicalized photography by refusing to adhere to a traditional visual grammar; instead they held the camera at an angle, caused blurring, captured hard contrasts and grainy shots, while the Kompura Group pursued the opposite path by saying, ‘We must divorce ourselves from all ideology and approach reality in a coolly objective and unemotional manner, working as precisely as possible, while concentrating on common, everyday images and events.'” Ferdinand Brüggemann in conversation with Roland Angst • American Suburb X