Eleanor Macnair

Wednesday, 24 September 2014

“Classics such as DDLJ, Devdas, Amar, Bobby and Kolya all feature themes where love, duty, coercion and despair are mixed to varying ends. That’s cinema. This is photography, an area where love is simply lacking. [Max] Pinckers changes that, taking the grand romantic themes and layering them with text, documentary and symbolism into a whole that goes beyond the parts[.]” Colin Pantall • Emaho