Julián Barón

“‘The beginning of the Second Cello Concerto is like a long-exposure image by itself,’ [Alexey Titarenko] says, ‘and the melody of the cello is so long and so tired.’ Together the sight and sound suggested a way to make a photograph that reflected the slow-moving gravitas of the scene. He decided to take photos of it using a shutter speed several minutes long.” Rebecca Robertson • ARTnews